Difference between revisions of "Collection Storage"
(→Assessment and Planning: added section text) |
(→Creating and Renovating Storage Facilities: added section text) |
||
Line 57: | Line 57: | ||
== Creating and Renovating Storage Facilities== | == Creating and Renovating Storage Facilities== | ||
+ | The creation and renovation of collection storage areas involves far more than just finding a room that will accommodate the storage furniture. It requires good communication throughout the process of integrating storage design and function. It must address identification and mitigation of risks to collections. It should consider the interdependency of external climate, the building envelope, space occupancy, and the building’s mechanical | ||
+ | systems in order to achieve a balanced and stable collection storage environment. The susceptibility of collection materials to light, fire, and theft will play a key part in the selection of appropriate systems to be put in place, while still supporting accessibility. Finally the safe and effi cient movement of objects and specimens into the space after construction is completed requires careful planning and execution. Despite all this, improvements to storage, whether for large or small collections, can be done on even a limited budget by assessing the actual risks the collection faces, then looking for ways to eliminate, reduce, or ameliorate the chances of damage. Taken together, the chapters in this section combine new information with long-established collection storage standards to provide a framework for creating or renovating facilities that fosters preservation and access for collections of any size. | ||
==== Design of Storage Facilities - ''Walt Crimm''==== | ==== Design of Storage Facilities - ''Walt Crimm''==== | ||
==== Environmental Management and Related Systems - ''Walter Henry''==== | ==== Environmental Management and Related Systems - ''Walter Henry''==== |
Revision as of 03:53, 5 September 2019
Good storage is the foundation of effective collection care, advancing conservation while at the same time promoting accessibility and use. Preventive Conservation: Collection Storage covers the storage of all types of collections, including science, fine and decorative art, history, library, archive, and digital collections. The volume discusses all aspects of collection storage, from planning and assessment, through building design and facilities management, to storage furniture and specimen housing. It concentrates on preventive conservation and emphasizes a risk management approach. Reflecting the breadth of its scope, the new book is collaboration between The Society for the Preservation of Natural History Collections, The American Institute for Conservation, the Smithsonian Institution, and the Museum Studies Program of George Washington University
Edited by Lisa Elkin and Christopher A. Norris
The book is now available through AIC's online store.
Details: Trim size 7 x 10; 944 pages; full color. ISBN 978-0-9978679-2-3. $95 hardcover.
Fundamentals
Preventive conservation is a collaborative endeavor that can only succeed when all stakeholders—whether within the institution or beyond its walls—are actively engaged with collections. It has evolved from being the domain of conservators and collection care staff, often working in relative isolation, to a discipline that requires a more dynamic, interdisciplinary approach. In order to be truly successful, preventive conservation must include increased engagement with a variety of people, some of whom may not even work at the museum. Knowledge gathered through consultations and crowdsourcing can help museums better organize storage and broaden interpretation, making collections more relevant and accessible. Interdisciplinary partnerships within the museum itself are also vital; identifying partners at all levels of the institution and getting them engaged will ultimately benefi t the collections. Finally, preventive conservation must also address physical and chemical deterioration. A comprehensive conservation program that includes preventive care, treatment, research, and documentation will increase access, use, and preservation of collections. In combination, the chapters in this section demonstrate that preventive conservation cannot be conducted in isolation but instead requires a holistic, inclusive approach. It is fundamental that collection storage aid in preserving collections for the future while increasing accessibility and engagement today.
Chapter 1: Respectful and Responsible Stewardship: Maintaining and Renewing the Cultural Relevance of Museum Collections - Sanchita Balachandran and Kelly McHugh
Building Internal Partnerships for Collection Care - Dieter Fenkart-Fröschl and Christopher A. Norris
A Preventive Conservation Approach to the Storage of Collections - Carolyn L. Rose, Catharine A. Hawks, and Robert Waller
Assessment and Planning
Collection storage, if done properly, will ensure the ongoing accessibility and utility of collection objects, while mitigating the various risks that jeopardize that goal. Hence, all storage projects should begin with a process of assessment: what types of items does the collection contain; what are these items used for; what hazards pose signifi cant risks to collections; and how much will those risks impact usefulness of collections? Th is section begins with a risk analysis approach to understanding collection requirements. It establishes expectations for how features and characteristics of building design and operation impact preservation and safe access. Collection- care surveys provide foundational information about the state of collections and the eff ects of past and current collection care practices. For many reasons, buildings, as well as collections, can be worthy of preservation. How to adapt existing or historic buildings for eff ective collection storage is both a challenge and an opportunity. Th e building or renovation planning process is itself demanding. It is a complex sequence of events involving multiple stakeholders. For collection care professionals to be most eff ective in contributing to design, it is essential to understand the process, learning when and where they can most eff ectively contribute. Functional planning serves as a basis for ensuring design and construction phases remain focused
Collection Risk Assessment - Robert Waller
Collection-Care Surveys for Preventive Conservation - Joel Taylor
Balancing Collection Storage with Historic Buildings - Nancy McCoy
Building Project Process - Walt Crimm
Functional Planning for Collection Storage - Michael Lundholm
Creating and Renovating Storage Facilities
The creation and renovation of collection storage areas involves far more than just finding a room that will accommodate the storage furniture. It requires good communication throughout the process of integrating storage design and function. It must address identification and mitigation of risks to collections. It should consider the interdependency of external climate, the building envelope, space occupancy, and the building’s mechanical systems in order to achieve a balanced and stable collection storage environment. The susceptibility of collection materials to light, fire, and theft will play a key part in the selection of appropriate systems to be put in place, while still supporting accessibility. Finally the safe and effi cient movement of objects and specimens into the space after construction is completed requires careful planning and execution. Despite all this, improvements to storage, whether for large or small collections, can be done on even a limited budget by assessing the actual risks the collection faces, then looking for ways to eliminate, reduce, or ameliorate the chances of damage. Taken together, the chapters in this section combine new information with long-established collection storage standards to provide a framework for creating or renovating facilities that fosters preservation and access for collections of any size.
Design of Storage Facilities - Walt Crimm
Environmental Management and Related Systems - Walter Henry
Illumination for Collection Storage - Paul Himmelstein, Scott Rosenfeld, and Steven Weintraub
Fire Protection for Collection Spaces - Jeffrey LaSalle and Bryan L. Stemen
Securing Your Collections - Steven R. Keller
Managing a Collection Move: Planning, Packing, and Logistics - Heather Thorwald, Gretchen Anderson, Lori Benson, Jude Southward, Annette L. Van Aken, and Russell D. White
Facility Management
Facility Management: The Partnership with Collection Preservation - Jeff Joplin
Emergency Management - Rebecca Fifield
Safety and Health Issues within Storage Spaces - Kathryn A. Makos, David Hinkamp, and James R. Smith Jr.
Integrated Pest Management for Museum Collections - Thomas Strang, Jeremy Jacobs, and Rika Kigawa
Environmental Monitoring - Konstantinos Ntanos and W. (Bill) Wei
Air Quality, Monitoring, and Management - Peter Brimblecombe
Specialized Collection Environments & Care
Specialized Macroclimates and Microclimates: Options for the Control of Temperature, Relative Humidity, and Pollutants - Steven Weintraub
Low Temperature Storage - Frank P. Simione
Storage in Fluid Preservatives - John E. Simmons
Visible Storage - Linda Edquist and Claire F. Larkin
Off-Site Storage - Doris A. Hamburg
Outdoor Storage Situations - George Prytulak
Storage of Human Remains - Nancy Odegaard and Vicki Cassman
Storage Equipment and Materials
Storage Furniture - Barbara P. Moore, Jeffrey C. Weatherston, Russell D. White, and Stephen L. Williams
Support and Rehousing for Collection Storage - Rachael Perkins Arenstein, Lisa Goldberg, and Eugenie Milroy
Evaluating Materials Used for Collection Storage - Pamela Hatchfield
Wood and Related Products - Pamela Hatchfield
Paper-Based Storage Materials - Fenella G. France
Plastic Storage Products - R. Scott Williams
Marking Collections - Nora Sharon Lockshin
Storage of Digital Collections
An Introduction to Digital Preservation - Sarah Slade, David Pearson, and Steve Knight
Care of Born-Digital Objects - Riccardo Ferrante
Storage at a Glance
Introduction - Lisa Elkin and Robert Waller
Bone, Antler, Ivory, and Teeth - Christopher A. Norris and Robert Waller
Books - Alice Cannon, Jean Holland, and Belinda Gourley
Ceramics - Victoria Oakley and Fi Jordan
Chitin - Suzanne Ryder
Electronic Media - Sarah Stauderman
Film and Film Negatives - Andrew Robb
Fossils - Matthew Brown
Glass - Stephen Koob
Keratin - Julia Sybalsky and Lisa Elkin
Metals - Ian D. MacLeod and Shelley Sturman
Minerals, Gems, and Meteorites - Robert Waller
Paintings: Traditional - Sarah Spafford-Ricci and Emily Min
Paintings: Nontraditional - Sarah Spafford-Ricci and Emily Min
Paper - Alice Cannon, Elizabeth Melzer, and Belinda Gourley
Photographs: Positive Prints and Plates - Paul Messier
Plant Material - Victoria Purewal
Plastics - Mary Coughlin
Shells and Corals - Paul Callomon
Skin, Leather, and Parchment - Catharine A. Hawks and Robert Waller
Textiles - Patricia
Wood - Emily Williams
Glossary
Index